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Char Downs graciously offered me a selection of books to deconstruct for use in my work; thank you Char! |
Rosemarie introduces me to workers, volunteers, friends, and artists, including The National Quilt Museum's CEO Frank Bennett. Frank explains the intent of the center section of the museum: to introduce visitors to a variety of quilt techniques - from hand to machine stitching, traditional to contemporary. The museum is perfectly sized; another dozen quilts and I'd probably be on overload. With its two changing side gallery exhibits, and access to an archive of 400 quilts, the museum is worth repeat visits.
One more stop: Market House Theatre's black box space. Rosemarie, with her creative grey cells working full speed, brings this venue to my attention as a possibility for an installation exhibition at the end of October. A black box theater: I can see the possibilities of the visual contrast with my free-rotating, mostly white suspended columns, a possibility I had not considered previously. Exploration for the best venue match promises to be ongoing. I love it when creative thinking flows, and Rosemarie is a virtual fountain. Or, in this town, I believe I should say "river."
As my Greenville, SC, artist-friend Rebecca Johnson emailed yesterday: "Sounds like you are already making good friends and enjoying the town. Go be creative now!" No problem. I do have one worry though: my car must be feeling neglected, as I haven't driven it since I arrived, this city is so darned walkable.
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